The analogy is imperfect, but if we compare that difference in progression style between the epics to the different kinds of scenario deck(s) in the LCGs, and the difference among books (really, more properly, oimai [‘threads’]) within the epics to the different mechanics in each game among differing scenarios, the broad shape of a comparison begins to appear.
Part of a series on the educational affordances of interactive narrative. ba da Bum ba da Bum bum Podas ōkus Akhilleus (pronounce the final “eu” as “yoo” if you have to—it’s a diphthong: the final Bum). Polumētis Odysseus (same here). “Swift-footed Achilles.” “Cunning Odysseus.” These are line-end formulas. Think of
In a post in August, I opened a discussion of how analyzing the meta-discourse surrounding MOBAs (Multiplayer Online Battle Arenas) may help us describe the relationship between player-performance in these games and bardic performance in ancient epic in a more interesting way. The point of such an analysis is not