“The best place to view Los Angeles of the next millennium is from the ruins of its alternative future” thus Mike Davies begins his provocative history of L.A. When Davies interrogates Blade Runner and The Martian Chronicles he finds a considerable amount of material to critically interpret the city and
Sid Meier’s Civilization is one of the most-loved franchises in gaming, particularly among those with a historical bent, even though it doesn’t provide a realistic narrative of history. The latest iteration in the series came out a few months ago and adjusted many aspects of play for better or worse
That story, a story he knows very well in its outline, and may know very well even in its specific detail, is unfolding in a way it never has before, because the gamer himself is helping it unfold, and he couldn’t do it the same way anyone else has done it, or even the same way he himself has done it before, if he tried.
Fallout 3 offers much to swoon over. In hindsight though, the most memorable moments from my game play are not slow-motion replays of exploding super mutant heads. Most of the in-game moments that have stuck with me involve interactions with, Apple II-ish green-screened in-game terminals. Computers that have apparently been
The premise behind Colonization has been controversial since the game’s inception. For those who are unfamiliar with it, Colonization puts players in the shoes of a European power and sets them loose to colonize the Americas. Originally released in 1994 an updated version of the game was released in 2008.
One of the things that fascinates me most about the epic traditions of the world is the way bards naturally sing their tales within cycles. The Greek word κύκλος just means “circle,” and the cycle with which I’m most familiar—the ancient Greek one—is usually just called the ἐπικὸς κύκλος “epic