In my last few posts I’ve outlined a massive undertaking: convince the gamers of today (in the Warkian sense, really, of everybody who practices in modern culture, with the caveat that Plato recognized the same dimension of culture 2500 years ago) to be humanists through a demonstration that their livesContinue Reading
In my last post I suggested that the approach to homeric epic developed by Gregory Nagy beginning with The Best of the Achaeans, when considered in relationship to the rulesets of play-practices that digital culture and above all digital games make more apparent every day, provide an opportunity to describeContinue Reading
So at the end of the Rules of the Text series, I put forward the claim that “playing the past is an absolutely essential part of living the present.” Testing that claim is the purpose of Epic Life. Thus I mean in Epic Life to take the formulations I madeContinue Reading
This post serves two purposes: first, to review the posts of the Rules of the Text series and to recapitulate their argument and its relation to the two examples that have dominated the series: A Song of Ice and Fire (aka Game of Thrones) and Mass Effect; second, to prepareContinue Reading
The very large differences in the ways players of Mass Effect have viewed the way choice works in the trilogy deserve attention from a practomimetic perspective first because they represent critical perspectives worth refining. Second, and more importantly, however, those differences demand attention because of their affective nature, in lightContinue Reading
This post contains spoilers about the endings of the three Mass Effect games. Part 1 is here. In the final moments of Mass Effect 3 the player is confronted with the notorious choice of the three paths (though it is very possible only to have two paths, and even toContinue Reading
This post contains spoilers about the endings of the three Mass Effect games. We still don’t know what, if anything, will change either in superficial or in substantive ways, about the ending of the Mass Effect saga. But Mass Effect as it stands demands analysis. Perhaps the practomime is asContinue Reading
I haven’t had the opportunity to move forward in my thinking about Mass Effect enough to feel that I can write a good post about the central issues I to which referred in my last one, but in the intervening period my attention was grabbed by something very much worthContinue Reading
If a rule, in general, is a constraint placed on an agent by the agent’s cultural situation, then in a cultural zone understood as appropriate for play that general sense of “rule” transfers nicely to a sort of constraint that allows a player to make choices (cf. Sid Meier’s famousContinue Reading
In this post, I want to try to open a new direction in my own thinking about play and art. As you may have gathered from previous posts here at Play the Past, I see games and other works of art as part of a continuum of μίμησις–or, in myContinue Reading